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mural2

First section of the mural

mural

I’d say she’s a suffragette!

 mural3More Murals: Northampton, Mass 

We found this vast mural in the parking lot opposite Woodstar Coffee Shop, Northampton, Mass.

Too big to capture in one shot, it tells a fascinating story if you look at it carefully.

The title is The History of Women in Northampton from 1600-1980. The title seems very appropriate in many ways, as Northampton is the home of Smith College, a prestigious women’s college, also known as the college where women’s basketball was first played in 1892.

Information on the mural:

The History of Women in Northampton from 1600-1980mural4

Copyright Hestia Art Collective

Linda Bond, Mariah Fee, Susan Pontious, Rochelle Shicoff, Wednesday Sorokin

Restored 1986

Updated and restored in 2003

On a side note, two other firsts for this area: Nearby, in Holyoke, William G. Morgan invented the game of volleyball for men. It was in 1895 when he took the position as physical director at Holyoke. The newly-created game of basketball (created in Springfield, Mass), very popular with young people, was too strenuous for the local businessmen, so he decided to create a new sport. From basketball he took the ball. From tennis the net, and the use of hands from handball. From baseball he took the concept of innings. The game has evolved and changed since then, as has the ball. It soon became very popular worldwide.

It started as a competitive women’s sport in the 1920s, and at Mt Holyoke College in the 1970s.

Fun factoids!

 

Chicago’s Wall of Respect

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Exhibits at Chicago’s Cultural Center

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Poster about the Wall of Respect

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Old photo of the Wall of Respect

As mentioned earlier, this year is Chicago’s Year of Public Art and the 50×50 Initiative, sparked by Chicago’s 50 wards and the 50th anniversary of 2 famous public art works in the city: Picasso’s “Untitled” (see previous post), and The Wall of Respect.

The Wall of Respect is no longer in its original position but a special exhibition on it is in the Chicago Cultural Center until July 30th. The exhibition, called Vestiges, Shards and the Legacy of Black Power, is in the Chicago Rooms, 2nd Floor North in the Cultural Center (corner of Michigan, Randolph and Washington).

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How the wall looked

Blues

The Blues panel

Jazz

The Jazz panel

Curated by Romi Crawford, Abdul Alkalimat and Rebecca Zorach, and students in the Department of Art History, this exhibition chronicles how the Organization for Black American Culture designed and produced this first mural for, and within, Chicago’s Black South Side communities. It features 7 sections with the images of leading black icons (called heroes), ranging from Sarah Vaughan and John Coltrane to Marcus Garvey and Ossie Davis. Two of the panels are devoted to musicians—one for Blues, one for Jazz—not surprising, as Chicago has always been a hub for music, notably Blues and Jazz with many famous black artists.

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Using photographs and documents relating to the Wall of Respect and other murals, this exhibition explores the mural movement in Chicago in its historical context, investigating how race and class have intersected with the spatial politics of the city.

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Story of the Wall of Respect

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Who is your hero today?

In 1967, the Organization of Black American Culture painted this huge mural “guerrilla-style” on the wall of a decaying building on the South Side of Chicago at 43rd Street and Langley Avenue. They called it the Wall of Respect. This mural, which grew out of the Black Liberation Movement of the 1960s, was controversial from the start and only survived a few years—but in that time it inspired a community movement that went on to paint vivid colors on walls across the city and beyond. The Wall of Respect received national acclaim when it was unveiled in 1967.

Just outside the exhibit rooms, the center has strips of colored paper. They invite people today to write down the names of their heroes and make a long paper chain—a Heroes Chain. Would be a fun project for school kids, I think.

Muddymural

Muddy2Not far away on the side of a building opposite Macy’s is a huge colored mural of Muddy Waters. I couldn’t find any information on that. Any ideas, anyone?

Somewhat linked to this topic is another exhibition at the Cultural Center: that of Eugene Eda’s Doors for Malcolm X College (see future post)

 

bannerIt’s Chicago’s Year of Public Art, so let’s get out and experience some of this creative art.

I was always aware that Chicago has a great tradition of making public art available to all, and its collection of public art is one of the defining characteristics of the city, but this special year gives another dimension to this.

2017 has been designated Year of Public Art Chicago, with a new 50×50 Neighborhood Arts Project. Managed by DCASE (Chicago Department of Cultural Affairs and Special Events), the 50×50 initiative will provide up to $1 million for new public arts projects.

Chicago has a long and rich history of public art, so why now? This initiative was

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The Picasso in Daley Plaza

inspired by Chicago’s 50 wards and the 50th anniversary of 2 of Chicago’s most famous seminal public art works: The Picasso in Daley Plaza, and The Wall of Respect, which once stood at 43rd Street and Langley Avenue on Chicago’s South Side.

DCASE manages the Chicago Public Art Collection, which includes 500+ works exhibited in over 150 municipal facilities around the city, such as police stations, libraries and CTA station. DCASE also administers the City’s Percent-for-Art Ordinance, which was established in 1978 and stipulates that 1.33% of the cost of constructing or renovating public buildings will be used for public art.

What an amazing concept. Go Chicago!

perilsThere will be many special exhibits and tours, but I was only in Chicago for 3 days this April, so could only track down a few of these special art works at this time.

Turns out that many of these famous public art works have an interesting story and history, starting with the Picasso. To co-incide with this Year of Public Art, the Chicago Cultural Center has a small exhibit called The Fame and Perils of Chicago’s Public Art. The introductory board tells us that, “Planning and creating public art can be a risky venture. Depending on how or what you count, the placement of art in Chicago’s public spaces has a 200-year long history. Sometimes the art is loved. Sometimes it is hated. To further complicate matters, times change—and so do the tastes of people.”

So…to start with Picasso’s “Untitled”.

frontcloserUntitled” by Pablo Picasso, on the Richard J Daley Civic Center Plaza, 50 W. Washington Street. In 1967 Pablo Picasso’s monumental sculpture was unveiled in Chicago’s Civic Center (now called the Richard J. Daley CivicCenter).

In 1963, imagining a work for the new Chicago Civic Plaza, architect William Hartmann of Skidmore, Owings and Merrill turned to Pablo Picasso. Using an introduction from English artist Roland Penrose, Hartmann contacted Picasso describing a “site for the most important piece of sculpture in the United States.” Picasso accepted and worked on plans for the largest work of his career, mostly with his vision of an abstract female figure, which he gave as a gift to the city.

This abstract design was not originally popular when the monument was erected in

Banks

Newspaper picture with Banks superimposed

1967. In fact, as I learned from the small exhibit in the Chicago Cultural Center, many Chicagoans thought it was a giant portrait of the artist’s Afghan hound. An alderman from the City Council proposed replacing the Picasso with a giant statue of Chicago Cubs legend Ernie Banks, and a local paper ran a story with a photo of Banks superimposed on that of the Picasso.

At the time of the opening of the Picasso, Mayor Richard J. Daley insightfully dedicated it with these words, “what is strange to us today will be familiar tomorrow.” That has proved true, and 50 years later it’s an iconic part of the city’s landscape, and much loved by locals and visitors. So much so, that Northwestern grad and vocal art advocate, Patricia Stratton, has written a book dedicated to the sculpture called “The Chicago Picasso: A Point of Departure”.

sideI find this work of Picasso’s very interesting: I can definitely see the Afghan hound in there, but also a female figure. What do you think?

Picasso’s work was Chicago’s first major pubic art work in the modern style, rather than historical effigies and memorials that had been traditional before. It inspired much private and public investment in art for the city center, including Marc Chagall’s mosaic “The Four Seasons” in 1974, which then inspired his “America Windows”. Other commissions included monuments by Joan Miro (1963), Jean Dubuffet (1969) and Alexander Calder (1974), among many others. And so a tradition was born.

 

“Muse of Discovery”—-again

swanboats

Swan boats on Lake Eola

greenwhole

The lady covered in green

earthwhole

The lady being prepared

greenfacehandsMuse of Discovery

Outdoor Sculptures That Make You Think.

Found in Lake Eola Park, downtown Orlando, FL

As most people probably know by now, I am a huge fan of outdoor art of any type, but especially sculpture. Public art is so important as it’s available to all, and I don’t think anyone (except perhaps the current USA Administration!) would disagree that art enriches people’s lives in many ways.

Whenever we travel, I’m always on the look-out for public art, both new and that seen before.

I wrote before about the “Muse of Discovery” in Eola Park, Orlando. See here

https://viviennemackie.wordpress.com/2015/01/15/outdoor-sculptures-that-make-you-think/

So, we were delighted on our recent visit to Orlando to find the lady still there and to discover that she is organic and changing. I’ve included photos of both our visits, as a way of comparing.

earthfacehands

greenfaceTwo years ago, the lady was covered in live greenery and our then-5-year-old granddaughter dubbed her “The Lady with a Green Blanket”, which was very apt. At that time, the grass was ‘resting’ for winter and visitors could not sit on the statue’s hands, as the artist encourages the viewer to do. The artist invites the viewer to “ sit in the hand of the Muse and discover your hidden potential as she whispers to you”.

This time, we could sit on the lady’s hand but she wasn’t covered in greenery. In fact, a group of gardeners were working on the mound of soil over her body, preparing it for planting a lot of flowers. I’m sure that will look stunning in the summer.

earthfacehands2

us3The lady, with a very pretty face, is reclining in the park, her head, hands and limbs made of limestone. The information board tells us that the name is “Muse of Discovery”, by Meg White of Stephensport, KY and was gifted to the City of Orlando by Wayne M. Densch Charities, as part of the See Art Orlando Public Sculpture Program, 2013.

I can’t say there was an opportunity to discover hidden potential, as we were trying to get the kids to smile for the photo, but still it was fun!

 

treedaffs

Small weeping cherry tree by the car park

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weeping

Japan House

Sakura…cherry blossoms…weeping cherry trees. These signal spring in Japan, and here in Urbana, central Illinois, they are also a beautiful herald of spring.

We are very lucky here on our campus at the University of Illinois, as we have a Japan House, a cultural center run by the University to promote understanding of Japan, its culture and history. It’s a lovely traditional-style Japanese building, with a small enclosed garden to one side, complete with gurgling stream, stone lanterns and a quiet place to sit and meditate. The other side of the Japan House has a serene raked-stone garden and the whole overlooks a pond (complete with turtles and geese), encircled by a walkway, much loved by local residents.

lake

scene

cherrywilow

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Start of the ‘tunnel’

A number of cherry trees are scattered around our university campus, but the most striking of them all are at the Japan House. There is one weeping cherry tree, a gorgeous tree with thickly clustered pink blossoms, right next to the building, and a couple of others near the small parking lot.

But, because of a generous donation by Dr Genshitsu Sen, we also have the Sen Cherry Tree Alee, the walkways approaching the Japan House. It was planted with cherry trees on both sides in 2008 and now the trees have grown big enough that it’s like walking through a tunnel. In Spring, we feel as though we are passing under a lacy white and delicate pink net, the blossoms on the cherry trees are so thiick. With the stone pagoda lanterns and the raked pebble garden in front of the wooden building, we can almost believe that we are in Japan.

plaque

The plaque tells us that Dr Sen was a 15th-generation Grand Master Urasenke Tradition of Tea

tunnel

cherrylanternAs in Japan, it’s a ritual to go and view the cherry blossoms, to walk under them and be blessed if petals fall on you. Rod and I went last Sunday, as it’s close to our house and we can easily just walk there. It was a cool but sunny afternoon, and there were hundredss of others there, doing the same thing; ambling, ooh-ing and ahh-ing, taking photos, posing under the trees or amidst the drooping flower-laden branches. It’s a very special walk, and the collective feeling of happiness is palpable. Just to remind us of how wonderful Nature is, and how a walk in Nature (even in a somehwat urban environment) can really revitalize us.

(Thanks to Rod for the photos)cherrysky

Vtree

 

Kirin Beer Hall in Sapporo

MS

Satoshi and Max enjoy the meal

Maxcook

Max helps cook the meat and vegetables

Sapporo is well-known for special Ghengis Khan grilled lamb meals and the principle places are run by big beer halls. The two main ones are at Sapporo Beer Garden, which I wrote about before (https://viviennemackie.wordpress.com/2016/10/23/japan-a-hokkaido-special-dish/ ) and the other is at the Kirin Beer Hall. Both Sapporo and Kirin are very popular Japanese beers.

VR

Another marvelous meal!

On our final night in Sapporo this last trip, Satoshi booked us into the Premier Hotel. It’s in the Suskino area of town, where a lot of the nightlife is, so lots of neon lights, and really busy especially on a Saturday evening

For dinner that evening we went our for a Ghengis Khan meal again, somehow fitting, as we had Ghengis on our first evening in the city. The Kirin Beer Hall was within walking distance of the Premier Hotel, so very convenient.

Satoshi and Max took Rod and I and once again we had a lovely evening together and a

meat

The grill is set down in the center of the table

great meal. Here, the grills are set out differently: they are set down a bit in the center of the tables. But, otherwise the concept is very similar: first, put on bibs to protect clothes, then cook plenty of vegetables and pieces of thinly sliced meat on the grill, using large tongs. Wash it down with plenty of beer and/or wine.

We also had a smoked hokke fish as a snack first. Over the years, Rod and I have come to really like hokke and Satoshi wanted us to have it “one last time”. Delicious and much appreciated.

hokke

Hooke is great

mtview

The new mountain

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General information board

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The whole area is also called a GeoPark

One of Japan’s Youngest Mountains

Most people know that Japan is a country that has many earthquakes and volcanoes—after all, it’s on the Pacific Ring of fire—and is a geologically very active, and unstable, part of the world. The whole country is on the Pacific Rim, including the northern island of Hokkaido. So, on our last visit to Hokkaido it was fascinating to visit a new mountain, to see these forces of Nature at work. We had a chance to see how that activity has worked—a new mountain that pushed up, and for all we know is still growing.

Hokkaido has had a lot of volcanic activity, and you see many conical mountains that are supposedly dormant, and not extinct. One day, our hosts Satoshi and Max took us on a day trip south from Sapporo to visit the evidence of new volcanic activity.

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Special National Monument SHOWA SHIN-ZAN

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We can walk up fairly close to the base of the new mountain

Vmountain

View from one of the shopping areas and where the ropeway begins

In the south part of Hokkaido is Shikotsu-Toya National Park, which includes Showa Shinzan Special National Monument and Mount Usu, among other sights.

We went to the Showa Shinzan Special National Monument, just off Lake Toya. Lake Toya is a caldera lake created by a major volcanic eruption tens of thousands of years ago. Around the lake today is a hot spring region, with many spa facilities, and fertile soul for agriculture. There is also Showa Shinzan, sometimes called the “natural volcanic museum”. It’s a volcanic lava dome, next to Mount Usu. The story of this mountain shows that volcanic activity around here continues and it’s a hot spot for volcanic activity. And it’s a pretty amazing story.

smokingfar

The mountain is still smoking

The name Showa Shinzan means Showa new (shin) mountain (zan), as it formed during the reign of Emperor Hirohito, in the Showa period. The mountain was created between December 28, 1943 and September 1945. Initially a series of strong earthquakes shook the area from December 1943-June 1944 and wheat fields were uplifted. Next came the eruption phase, which lasted between the end of June 1944 and the end of October 1944, when lava broke through the surface. Lava reached the banks of Lake Toya, burning houses and forests in its path. Volcanic ash was deposited kilometers away, and the protuberance in the ground continued to grow. In the post-eruption phase (November 1944-September 1945) eruption activity stopped and the lava dome began to take shape and the current peak was created. It is now 1,306 ft (398m) tall and still actively smoking and gently steaming, so who knows what’s coming next!

smoking

No doubt that this is still active!

postmasterboard

The board is rather damaged and not clear, but you can still see one of the postmaster’s diagrams

Showa-shinzan first appeared during WW2 so the Japanese authorities were worried that it might be interpreted as an unlucky wartime omen, and therefore its existence was kept secret. Much of the information about the peak’s formation during these years comes from local postmaster, Masao Mimatsu, who kept detailed measurements of its progress. Those records are very important, with lots of geological information.

It was really interesting to see the new peak, smoking, and giving off a faint sulphur smell. The top of the new mountain is still barren: vegetation only starts growing slowly from the base. It’s a very pretty park, as there are woods below the mountain with many silver birch trees and plenty of bright green bushes. The day we were there the new mountain, reddish-orange in color, was glowing in the sunshine, so the view was like a landscape painting. Interestingly, the colors of the mountain changed a bit, depending on the vantage point and on the light, so sometimes it seemed more reddish and at others more yellowish.

silverbirch

Very pretty woods

Max

Max shows us an Ezo deer at the Visitors’ Center

There is a small Visitors Center to one side, with information on the development of this whole area. We were also fascinated to learn about certain animals that are unique to Hokkaido. Ezo is the old word for Hokkaido so these animals are known as Ezo higuma (bear), Ezo lisu (squirrel) and Ezo shika (deer), for example.

Lining the carpark are many small shops selling curios, souvenirs etc.

A ropeway takes you from near the foot of Showa Shinzan to the top of Mount Usu, with great views out over the area and the lake, but we didn’t do that.

Thanks again to Satoshi and Max for being such wonderful hosts!

 

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