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Archive for the ‘art exhibition’ Category

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museum We happened on an amazing exhibit at the Currier Museum of Art in Manchester, New Hampshire. The museum itself was a wonderful unexpected find, as we didn’t originally plan on spending time in Manchester (except to fly in and out).

We went to the Currier on our recent visit to New Hampshire as we wanted to visit Frank Lloyd Wright’s Zimmerman House, and the only way to do that is to take a guided tour from the museum. We had time to look around the museum a little after lunch in their attractive Winter Garden Café (which is actually indoors), and decided on the special exhibit called Deep Cuts, Contemporary Paper Cutting.

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The beautiful doorway into the museum from the Garden Cafe

It was on from February 25-May 21, 2017, so sadly it is no longer there. Hopefully, because it was so interesting and popular, it will move to another museum for more people to see it.

The exhibit is on paper cutting and we entered with all the wrong expectations: We imagined the traditional Chinese paper cuttings, or perhaps cut-paper portrait silhouettes, as we have seen in Paris at Place du Tertre in Montmartre.

But no, this is way more than that. These contemporary artists reconsider, redefine and even subvert the centuries-old art of paper cutting. They slice, shred and abrade paper using blades, scissors, lasers, and even belt sanders. The range of materials is mind-boggling—from handmade artisan paper, to office stationery, books, wallpaper, currency notes, and shopping bags.

Since its invention around two thousand years ago, paper has become a commonplace material, permeating practically every aspect of our lives. In this exhibit we see how paper can be transformed from ordinary to extraordinary, from practical to thought-provoking; for example, some explore political or social topics.

Some of the artists use traditional techniques, but with new subjects. Others have made sculptural objects that challenge the flatness and fragility of paper. Others have cut printed paper to create works that explore the information and power normally linked with text. A bank note is very powerful and artists may cut it to make a statement. This also hints at a recent shift towards digital banking.

Some artists dissect documents, newspapers or books to question the information printed on them. By reforming them into something else, the artists show how intended meanings can change.

This lovely “picture” is an example of that, but I don’t have the artist information about it.

text picture

Another theme is how a growing focus on recyclable paper products is affecting paper’s role in our economies and society.

Of all the pieces we saw, we randomly chose 5 to showcase here. The others were all fascinating, but for some it was difficult to get the detailed information on them.

Currency collage, called The World is Yours, 2006, by C. K. Wilde, American (born 1972). As the board tells us, “This world map is composed of pieces of currency from many countries. Paper money affords a wide palette of color and design while also carrying the political weight of the various world democracies, monarchies, dictatorships, and other government. This map further suggests that global wealth is controlled by a handful of people, often including those whose faces appear on the currency. In Wilde’s work, cutting up money can be seen as a disruption of power and wealth.”

currencymap

World map made of cut bank notes

Male Pelvis, 2012, by Lisa Nilsson, American (born 1963). This is a mulberry paper collage, and is a true-to-life anatomical cross section using intricate paper filigree. It uses Japanese mulberry paper and the gilded edges of old books.

malepelvis

Rainbow, 2017, by Li Hongbo, Chinese (born 1974). Li Hongbo uses the honeycomb technique used in traditional Chinese paper gourd making to produce striking, large-scale installations with deep symbolic meanings. As the board tells us, “The artist has cut hundreds of colorful pieces in the shape of firearms and bullets. Unfurled, the threatening silhouettes transform into beautiful flower-like sculptures. The installation evokes the fine line between war and peace, and between violence and understanding, showing that one simple act can have a transformative effect. His chosen material and subject matter are related through their shared history: the Chinese invented paper but they also invented gunpowder. For an American audience, his sculptures are inevitable and poignant evocation of the epidemic of gun violence.”

rainbow

 

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Untitled (NY Yellow), 2009, by Jane South, British (born 1965) .Made of hand-cut paper, ink, acrylic and bass wood. As the board tells us, “Jane South fabricates bewildering cut-paper constructions that seem both real and imaginary; mechanical and artistic. Complex cut elements, as well as drawings on the paper’s surface, create a web of actual and illusionistic shadows, mixing fiction and reality.”

NYYellow

Biophony of Spring, 2017, by Fred H C Liang, Chinese (born 1964). This is made from cut Arjowiggin paper. Liang makes “drawings in space” by cutting out multiple shapes that he weaves together and balances to make one large rhythmic mass. He combines traditional Chinese paper cutting with contemporary art, creating non-representational work. The name of this one “refers to the collective sound made by all living organisms in a given environment, a natural symphony.”

Biophony

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Some of the painted fragments of the Berlin Wall

Some of the painted fragments of the Berlin Wall

artsignSymbol of a  History Theme

We have just returned from an extended trip around much of Eastern Europe. Besides sampling the foods and wines, and enjoying the usual sightseeing attractions, we followed a common historical thread: all of these places have been affected in one way or another by multiple invasions and wars on their soil.

The Romans were one of the first to occupy these lands, and later the Mongols swept through. Some, like Bosnia-Herzegovina, were occupied for more than 400 years by the Ottomans, which has shaped that region’s modern history, with, for example, the comparatively recent Srebrenica Massacre.

Many places were ruled for a long time by the Hapsburgs and the Austro-Hungarian Empire. Some were touched briefly by France and Napoleon Bonaparte.

One of the painted cars---a good symbol of freedom

One of the painted cars—a good symbol of freedom

Car and wall paintings

Car and wall paintings

More recently, the Balkan region was much affected by the First World War, and a chain of events from that and the Second World War led to the creation of Yugoslavia, with Tito’s version of Communism. The death of Tito and the breakup of Yugoslavia led to some horrendous wars and massacres.

The more northerly countries in the region, such as Poland, Czechoslovakia and Hungary, suffered in World War 2 under the Nazis and then under Communism—eventually leading to revolts and revolutions to gain their independence.

So, it was interesting for us to discover a small outdoor exhibition in Paris, where we started the trip. It was in the plaza outside the front of the Gare de l’Est, and was linked to the fall of the Berlin Wall—a symbol of Communist power in East Germany.

The exhibition was the brainchild of Sylvestre Verger, who put it together with the help of Street Art, an international urban artistic movement. They got together 30 fragments of the Berlin Wall, and this is a new collection that pays homage to artists who painted about, and on, the Berlin Wall before its fall. Three of those artists are Christophe-Emmanuel Bouchet, Kiddy Citny and Thierry Noir.

caar3

"Chorus 11" (yin yan)

“Chorus 11” (yin yan)

This new collection is called “Art liberté”, celebrating art, the city, the history and liberty. The 30 works are fixed on metal structures that are arranged in two lines in the plaza. Each one has an information board, plus a QR code, and there’s a catalogue plus films of interviews with the artists, available from a caravan-office in the corner. The artists also painted “Trois Trabant”—vehicles that are emblematic of East Germany. It seems to us that being able to paint them however n artist wishes is a very clear symbol of freedom.

All the paintings are very interesting for different reasons. I randomly picked 3 to highlight here.

The first, by Peter Unsicker (1947-) is “Chorus 11”, May 2014 (plaster on concrete). The text says, “X-ray of a yin-yan brain, accumulation of masks, memorial of the absurd.”

"Evasion" in center

“Evasion” in center

"Continental Climate C"

“Continental Climate C”

The next, by Frank Pellegrino is “Evasion”, April 2014 (acrylic on concrete). The text, “all Berlin’s symbols set in aerosol on the penitentiary remains, cuffing the wrist of humanity.

And, finally by Daleast is “Continental Climate C”, April 2014 (acrylic on concrete). The text, “The zeppelin exploded. The liberated birds have taken flight. The city has been sown with new seeds. We are growers of freedom and the harvest is ready.”

We really enjoyed browsing this for a while and it got us pondering on the link between art and freedom—so very true, as in a repressive regime artistic expression is also curbed/limited/repressed.

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