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Archive for the ‘New Hampshire’ Category

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Untitled (Portrait) by Nikki Rosato

I recently wrote about the amazing creations made by cutting paper that we saw in an exhibition in the Currier Museum of Art in Manchester, NH. It is Untitled (Portrait) 2016, by Nikki Rosato, American born 1986

One I omitted to add, and perhaps one of the most interesting is that of a head. It is interesting on two main counts: first, because of the material from which it is made and what that symbolizes; and secondly because it reminds us very much of another head, much larger, but just as symbolic (see further down). At first glance, they have a similar look, even though the size and the materials are different.

This one in the Deep Cuts exhibit is a three-dimensional bust made from cut road maps. The illustrations on the map look similar to parts of the human body: roads are like arteries and topographical lines form ridges and wrinkles. In this piece the artist tried to evoke the affiliations that people have with place and how places have shaped his or her development. This bust is a portrayal of the artist’s partner made from maps of New England and the surrounding areas that are significant to him.

This piece is part of a section called Altering Atlases. As the board explains, “For centuries cultures have created maps and atlases to define, categorize, and navigate their way through the world. Although many now rely heavily on GPS, the paper map remains an important, sometimes lifesaving tool for any adventurer (especially when we lose signal).

Maps symbolize not just geographies, but also the people who inhabit the landscapes and the geopolitical borders that divide and define them. Some artists alter these representations by cutting and abrading the paper on which they are printed in order to explore the politics of place and the relationship of humans to their natural and built environments…

What a great concept! As world travelers who usually use paper maps, we find this interpretation fascinating, because it’s true that people are also defined by place.

DesM

Nomads by Jaume Plensa

The other head this reminded us of is by Jaume Plensa (Spanish, born 1956), and I wrote about it here:

https://viviennemackie.wordpress.com/2014/04/25/symbolic-head-sculpture-with-multiple-meanings/

This head, called Nomade (2007), is huge and is painted stainless steel. The head and torso are made of letters from the Latin alphabet. His idea is that when letters are combined they produce words, thoughts and language, just as a person alone has limited potential but when people join together in a group or society they become stronger. It is in the John and Mary Pappajohn Sculpture Garden in Des Moines, Iowa.

SeoulInterestingly, we’ve experienced another head that is somewhat similar to these two. It is one of three head sculptures in the concourse of the Bongeunsa subway station in Seoul. I haven’t been able to find out any information about the artist or date etc.

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librarypond

Harrisville library overlooks the mill pond

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A typical narrow lane

One of the pleasures in traveling is discovering places with local flavor and Harrisville has that in abundance, as we discovered in May.

Nestled in the Monadnock Highlands of southwestern New Hampshire is the tiny brick mill village of Harrisville, where yarn has been spun since 1794. It is about 15 minutes from the town of Keene, and about an hour from Manchester. Some houses cluster in the actual village, but many are strung out along narrow winding lanes through the woods, or around the edges of the many lakes and ponds.

 

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Houses on a lake

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View of Mt Monadnock

MtMlake

Another view of Mt Monadnock

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Rod M and Veronita G at Silver Lake, a short walk from our hosts’ house

Mount Monadnock (3,165ft) looms above pastoral farmland and tiny villages, such as Harrisville. Hiking to the top of it for the spectacular views became popular in the 19th century and today it still is one of the most frequently-climbed mountains in the world. A monadnok is an isolated mountain, the remnants of ancient crystalline rock more resistant to erosion than the surrounding rock strata. Geographers used the name of Mount Monadnok to describe similar formations elsewhere.

The village of Harrisville was designated a National Historic Landmark in 1977. It is recognized as the only 19th century textile village in America that survives in its original form, and some say it’s the most photographed village in the state.

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From the library we look across the mill pond to an old mill building, now Harrisville Designs

 

Gargans

Veronita G, Phil G and Claire G (Phil works in the Harrisville General Store)

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Harrisville General Store

Harrisville is a lovely little place and we were lucky to visit with extended family living there (the Gargan family), who were very happy to show us around and tell us about their special place.

For example, Harrisville General Store one of the oldest general stores in continuous use, is perched on a hill overlooking the mill complex. It opened in 1838, but in recent years was facing an uncertain future, due to competition from big-box stores. About 10 years ago, the preservation organization Historic Harrisville Inc. took over ownership and leased it out to new management and M’Lue Zahner and Laura Carden took over. The managers are

Genstoreinside

Inside the store

Phil Gargan and Samantha Rule who are committed to selling and preparing fresh local produce. They make pies, soups, sandwiches and salads fresh daily (try their signature kale salad with feta and dried cranberries), have a great pastry selection and also prepare dinner menus to take home. I’m told we shouldn’t miss cider doughnuts and grass-fed burger too. Besides being a popular place for the local community, it’s become a tourist destination in its own right and people are willing to make the detour to visit it, www.harrisvillegeneralstore.com .

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Harrisville library

The library is in a gorgeous old building overlooking the mill pond. It too has become a place to socialize.

Bit of History:

Water power attracted settlers to various remote locations in NH beginning in the late 18th century. In 1794 the first of several mills was built across the Nubanusit River to harness the water-power necessary for carding fleece brought down from local hilltop farms to the village. The Harris family built many of the original mill buildings and houses for their family and workers. Hence the name of the village.

In the mid-1800s the Colony family bought out the Harris holdings and created Cheshire Mills. When that business closed in 1970, a group of citizens and preservationists joined together and formed a non-profit organization called Historic Harrisville Inc. (the same group that saved the General Store). It soon bought several of the main buildings to renovate and lease out to businesses.

HDesigns

Harrisville Designs

HDesignsyarn

Some of the yarns for sale

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One of the looms made by Harrisville Designs

John J. Colony III was very much involved in this venture. He realized that, as the mill buildings were being cleared and machinery was being broken down and sold for scrap metal, textiles would disappear from the village. So he started Harrisville Designs in 1971 to keep the textile tradition alive and to create jobs in Harrisville to help the village economy. Harrisville Designs still makes high quality 100% natural yarns for knitting and weaving, plus they make wooden floor looms in several sizes and styles. We enjoyed looking around at all the goods for sale. They also offer many different workshops and classes, and it’s become a place for locals to socialize too.

Harrisville Lake, which has loons as well as other water birds, has a small beach with imported sand and a nice kids’ playground. Our family there assures us that the water does get quite warm enough to swim. In fact, one family member swims regularly in a small lake near their home on a side road.

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The lake where Claire G swims—she goes across to that rock on the far side

church

Harrisville Congregational Church

All around New Hampshire we saw churches with a very typical style of architecture and Harrisville is no exception. Many New England churches gained their familiar front towers and steeples between 1720 and the American Revolution. They were often adapted from the published designs of Christopher Wren and James Gibbs. The Harrisville Congregational Church, the Harrisville Designs building and the old library, all around the mill pond, create a very attractive picture of an early rural mill town—and it’s especially lovely when all are reflected in the mill pond.

Nearby, is Aldworth Manor, an old Italian-style Manor house being renovated as a wedding venue.

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Aldworth Manor

blueberry

Blueberry bushes early in the season

fiddleheads

Fiddlehead fern fronds for sale

Philferns

Phil G looks for fiddlehead fern fronds in the woods near his home

New Hampshire is well known for maple syrup and for blueberries, and we saw plenty of maple sugar trees and blueberry bushes, although it was early in the season so the bushes had nothing on them yet. It was also the season for fiddlehead fern fronds, which are delicious just lightly sautéed in butter. We saw some for sale in grocery stores, but our host also went foraging out in the woods next to his home.

 

 

 

 

HInn

Harrisville Inn

Where to stay:

Harrisville Inn, 797 Chesham Road, run by Maria Coviello a charming lady originally from the British Virgin Islands, www.HarrisvilleInn.com

Where to eat:

The Harrisville General Store (mentioned above) makes great food, fresh every day. Or drive to the nearby village of Jaffrey to the Kimball Farm Restaurant, which has soups, salads, all kinds of fish dishes and an amazing selection of icecreams. Open mid-April to Columbus Day, Kimballsignhttp://kimballfarm.com/jaffrey/ .

 

 

 

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museum We happened on an amazing exhibit at the Currier Museum of Art in Manchester, New Hampshire. The museum itself was a wonderful unexpected find, as we didn’t originally plan on spending time in Manchester (except to fly in and out).

We went to the Currier on our recent visit to New Hampshire as we wanted to visit Frank Lloyd Wright’s Zimmerman House, and the only way to do that is to take a guided tour from the museum. We had time to look around the museum a little after lunch in their attractive Winter Garden Café (which is actually indoors), and decided on the special exhibit called Deep Cuts, Contemporary Paper Cutting.

cafeentrance

The beautiful doorway into the museum from the Garden Cafe

It was on from February 25-May 21, 2017, so sadly it is no longer there. Hopefully, because it was so interesting and popular, it will move to another museum for more people to see it.

The exhibit is on paper cutting and we entered with all the wrong expectations: We imagined the traditional Chinese paper cuttings, or perhaps cut-paper portrait silhouettes, as we have seen in Paris at Place du Tertre in Montmartre.

But no, this is way more than that. These contemporary artists reconsider, redefine and even subvert the centuries-old art of paper cutting. They slice, shred and abrade paper using blades, scissors, lasers, and even belt sanders. The range of materials is mind-boggling—from handmade artisan paper, to office stationery, books, wallpaper, currency notes, and shopping bags.

Since its invention around two thousand years ago, paper has become a commonplace material, permeating practically every aspect of our lives. In this exhibit we see how paper can be transformed from ordinary to extraordinary, from practical to thought-provoking; for example, some explore political or social topics.

Some of the artists use traditional techniques, but with new subjects. Others have made sculptural objects that challenge the flatness and fragility of paper. Others have cut printed paper to create works that explore the information and power normally linked with text. A bank note is very powerful and artists may cut it to make a statement. This also hints at a recent shift towards digital banking.

Some artists dissect documents, newspapers or books to question the information printed on them. By reforming them into something else, the artists show how intended meanings can change.

This lovely “picture” is an example of that, but I don’t have the artist information about it.

text picture

Another theme is how a growing focus on recyclable paper products is affecting paper’s role in our economies and society.

Of all the pieces we saw, we randomly chose 5 to showcase here. The others were all fascinating, but for some it was difficult to get the detailed information on them.

Currency collage, called The World is Yours, 2006, by C. K. Wilde, American (born 1972). As the board tells us, “This world map is composed of pieces of currency from many countries. Paper money affords a wide palette of color and design while also carrying the political weight of the various world democracies, monarchies, dictatorships, and other government. This map further suggests that global wealth is controlled by a handful of people, often including those whose faces appear on the currency. In Wilde’s work, cutting up money can be seen as a disruption of power and wealth.”

currencymap

World map made of cut bank notes

Male Pelvis, 2012, by Lisa Nilsson, American (born 1963). This is a mulberry paper collage, and is a true-to-life anatomical cross section using intricate paper filigree. It uses Japanese mulberry paper and the gilded edges of old books.

malepelvis

Rainbow, 2017, by Li Hongbo, Chinese (born 1974). Li Hongbo uses the honeycomb technique used in traditional Chinese paper gourd making to produce striking, large-scale installations with deep symbolic meanings. As the board tells us, “The artist has cut hundreds of colorful pieces in the shape of firearms and bullets. Unfurled, the threatening silhouettes transform into beautiful flower-like sculptures. The installation evokes the fine line between war and peace, and between violence and understanding, showing that one simple act can have a transformative effect. His chosen material and subject matter are related through their shared history: the Chinese invented paper but they also invented gunpowder. For an American audience, his sculptures are inevitable and poignant evocation of the epidemic of gun violence.”

rainbow

 

rainbow2

Untitled (NY Yellow), 2009, by Jane South, British (born 1965) .Made of hand-cut paper, ink, acrylic and bass wood. As the board tells us, “Jane South fabricates bewildering cut-paper constructions that seem both real and imaginary; mechanical and artistic. Complex cut elements, as well as drawings on the paper’s surface, create a web of actual and illusionistic shadows, mixing fiction and reality.”

NYYellow

Biophony of Spring, 2017, by Fred H C Liang, Chinese (born 1964). This is made from cut Arjowiggin paper. Liang makes “drawings in space” by cutting out multiple shapes that he weaves together and balances to make one large rhythmic mass. He combines traditional Chinese paper cutting with contemporary art, creating non-representational work. The name of this one “refers to the collective sound made by all living organisms in a given environment, a natural symphony.”

Biophony

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