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Archive for the ‘public art’ Category

CCposter

Exhibits at Chicago’s Cultural Center

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Poster about the Wall of Respect

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Old photo of the Wall of Respect

As mentioned earlier, this year is Chicago’s Year of Public Art and the 50×50 Initiative, sparked by Chicago’s 50 wards and the 50th anniversary of 2 famous public art works in the city: Picasso’s “Untitled” (see previous post), and The Wall of Respect.

The Wall of Respect is no longer in its original position but a special exhibition on it is in the Chicago Cultural Center until July 30th. The exhibition, called Vestiges, Shards and the Legacy of Black Power, is in the Chicago Rooms, 2nd Floor North in the Cultural Center (corner of Michigan, Randolph and Washington).

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How the wall looked

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The Blues panel

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The Jazz panel

Curated by Romi Crawford, Abdul Alkalimat and Rebecca Zorach, and students in the Department of Art History, this exhibition chronicles how the Organization for Black American Culture designed and produced this first mural for, and within, Chicago’s Black South Side communities. It features 7 sections with the images of leading black icons (called heroes), ranging from Sarah Vaughan and John Coltrane to Marcus Garvey and Ossie Davis. Two of the panels are devoted to musicians—one for Blues, one for Jazz—not surprising, as Chicago has always been a hub for music, notably Blues and Jazz with many famous black artists.

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Using photographs and documents relating to the Wall of Respect and other murals, this exhibition explores the mural movement in Chicago in its historical context, investigating how race and class have intersected with the spatial politics of the city.

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Story of the Wall of Respect

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Who is your hero today?

In 1967, the Organization of Black American Culture painted this huge mural “guerrilla-style” on the wall of a decaying building on the South Side of Chicago at 43rd Street and Langley Avenue. They called it the Wall of Respect. This mural, which grew out of the Black Liberation Movement of the 1960s, was controversial from the start and only survived a few years—but in that time it inspired a community movement that went on to paint vivid colors on walls across the city and beyond. The Wall of Respect received national acclaim when it was unveiled in 1967.

Just outside the exhibit rooms, the center has strips of colored paper. They invite people today to write down the names of their heroes and make a long paper chain—a Heroes Chain. Would be a fun project for school kids, I think.

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Muddy2Not far away on the side of a building opposite Macy’s is a huge colored mural of Muddy Waters. I couldn’t find any information on that. Any ideas, anyone?

Somewhat linked to this topic is another exhibition at the Cultural Center: that of Eugene Eda’s Doors for Malcolm X College (see future post)

 

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bannerIt’s Chicago’s Year of Public Art, so let’s get out and experience some of this creative art.

I was always aware that Chicago has a great tradition of making public art available to all, and its collection of public art is one of the defining characteristics of the city, but this special year gives another dimension to this.

2017 has been designated Year of Public Art Chicago, with a new 50×50 Neighborhood Arts Project. Managed by DCASE (Chicago Department of Cultural Affairs and Special Events), the 50×50 initiative will provide up to $1 million for new public arts projects.

Chicago has a long and rich history of public art, so why now? This initiative was

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The Picasso in Daley Plaza

inspired by Chicago’s 50 wards and the 50th anniversary of 2 of Chicago’s most famous seminal public art works: The Picasso in Daley Plaza, and The Wall of Respect, which once stood at 43rd Street and Langley Avenue on Chicago’s South Side.

DCASE manages the Chicago Public Art Collection, which includes 500+ works exhibited in over 150 municipal facilities around the city, such as police stations, libraries and CTA station. DCASE also administers the City’s Percent-for-Art Ordinance, which was established in 1978 and stipulates that 1.33% of the cost of constructing or renovating public buildings will be used for public art.

What an amazing concept. Go Chicago!

perilsThere will be many special exhibits and tours, but I was only in Chicago for 3 days this April, so could only track down a few of these special art works at this time.

Turns out that many of these famous public art works have an interesting story and history, starting with the Picasso. To co-incide with this Year of Public Art, the Chicago Cultural Center has a small exhibit called The Fame and Perils of Chicago’s Public Art. The introductory board tells us that, “Planning and creating public art can be a risky venture. Depending on how or what you count, the placement of art in Chicago’s public spaces has a 200-year long history. Sometimes the art is loved. Sometimes it is hated. To further complicate matters, times change—and so do the tastes of people.”

So…to start with Picasso’s “Untitled”.

frontcloserUntitled” by Pablo Picasso, on the Richard J Daley Civic Center Plaza, 50 W. Washington Street. In 1967 Pablo Picasso’s monumental sculpture was unveiled in Chicago’s Civic Center (now called the Richard J. Daley CivicCenter).

In 1963, imagining a work for the new Chicago Civic Plaza, architect William Hartmann of Skidmore, Owings and Merrill turned to Pablo Picasso. Using an introduction from English artist Roland Penrose, Hartmann contacted Picasso describing a “site for the most important piece of sculpture in the United States.” Picasso accepted and worked on plans for the largest work of his career, mostly with his vision of an abstract female figure, which he gave as a gift to the city.

This abstract design was not originally popular when the monument was erected in

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Newspaper picture with Banks superimposed

1967. In fact, as I learned from the small exhibit in the Chicago Cultural Center, many Chicagoans thought it was a giant portrait of the artist’s Afghan hound. An alderman from the City Council proposed replacing the Picasso with a giant statue of Chicago Cubs legend Ernie Banks, and a local paper ran a story with a photo of Banks superimposed on that of the Picasso.

At the time of the opening of the Picasso, Mayor Richard J. Daley insightfully dedicated it with these words, “what is strange to us today will be familiar tomorrow.” That has proved true, and 50 years later it’s an iconic part of the city’s landscape, and much loved by locals and visitors. So much so, that Northwestern grad and vocal art advocate, Patricia Stratton, has written a book dedicated to the sculpture called “The Chicago Picasso: A Point of Departure”.

sideI find this work of Picasso’s very interesting: I can definitely see the Afghan hound in there, but also a female figure. What do you think?

Picasso’s work was Chicago’s first major pubic art work in the modern style, rather than historical effigies and memorials that had been traditional before. It inspired much private and public investment in art for the city center, including Marc Chagall’s mosaic “The Four Seasons” in 1974, which then inspired his “America Windows”. Other commissions included monuments by Joan Miro (1963), Jean Dubuffet (1969) and Alexander Calder (1974), among many others. And so a tradition was born.

 

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Swan boats on Lake Eola

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The lady covered in green

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The lady being prepared

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Outdoor Sculptures That Make You Think.

Found in Lake Eola Park, downtown Orlando, FL

As most people probably know by now, I am a huge fan of outdoor art of any type, but especially sculpture. Public art is so important as it’s available to all, and I don’t think anyone (except perhaps the current USA Administration!) would disagree that art enriches people’s lives in many ways.

Whenever we travel, I’m always on the look-out for public art, both new and that seen before.

I wrote before about the “Muse of Discovery” in Eola Park, Orlando. See here

https://viviennemackie.wordpress.com/2015/01/15/outdoor-sculptures-that-make-you-think/

So, we were delighted on our recent visit to Orlando to find the lady still there and to discover that she is organic and changing. I’ve included photos of both our visits, as a way of comparing.

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greenfaceTwo years ago, the lady was covered in live greenery and our then-5-year-old granddaughter dubbed her “The Lady with a Green Blanket”, which was very apt. At that time, the grass was ‘resting’ for winter and visitors could not sit on the statue’s hands, as the artist encourages the viewer to do. The artist invites the viewer to “ sit in the hand of the Muse and discover your hidden potential as she whispers to you”.

This time, we could sit on the lady’s hand but she wasn’t covered in greenery. In fact, a group of gardeners were working on the mound of soil over her body, preparing it for planting a lot of flowers. I’m sure that will look stunning in the summer.

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us3The lady, with a very pretty face, is reclining in the park, her head, hands and limbs made of limestone. The information board tells us that the name is “Muse of Discovery”, by Meg White of Stephensport, KY and was gifted to the City of Orlando by Wayne M. Densch Charities, as part of the See Art Orlando Public Sculpture Program, 2013.

I can’t say there was an opportunity to discover hidden potential, as we were trying to get the kids to smile for the photo, but still it was fun!

 

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flamingo

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In December

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In fall

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From our hotel room

Timeless and graceful…A beautiful piece of art that stands out from its surroundings

In Chicago we usually stay at the Club Quarters Hotel on Adams Street, which we did again last weekend. The view from our hotel room was across to the Federal Plaza, with its intriguing red outdoor sculpture. We’ve taken photos of this many times before, at different times of the year, but this time, with the lighting and the snow, we saw it from a new angle and I decided to research it a bit more.

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Zoom from hotel room

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Reflection in Post Office windows

Chicago is a city famous for public art and for us this is one of the classics. Others (among many) are the Picasso (1967) in the Daley Plaza, with jungle-gym-like characteristics; Monument with Standing Beast, which is open to multiple interpretations, by Jean Dubuffet (1964) in front of the Thompson Center; and Cloud Gate, aka as The Bean, in Millennium Park.

This red sculpture is called Flamingo, and it does evoke a flamingo-like bird if you look closely. The artist is American Alexander Calder, and the sculpture was unveiled in October 1974 in the Federal Plaza in front of the kluczynski Federal Building, one of three Bauhaus-style federal buildings designed by Mies van der Rohe. A model of Flamingo was unveiled at the Art Institute in April 1973, where it still resides.

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Model in Art Institute

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Looking through Post Office

It’s a painted-steel stabile (as opposed to a mobile), 53 feet tall, painted vermilion (now called “Calder red”), the bright color contrasting very nicely with the steel and glass office buildings around it. These modern rectangular buildings surround the square, so this abstract arching form is also a nice counter point, form-wise.

However, Flamingo is constructed from similar materials and shares certain design principles with the architecture, so it’s successfully integrated within the plaza. It’s an example of the constructivist movement, popular in Russia in the early 20th century. This refers to large sculptures that are made of smaller pieces joined together.

The sculpture is monumental but the open design allows viewers to walk underneath and around it, so we can experience it on a human scale too.

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Market day

mrket2On Tuesdays, in the season, there’s a farmers market on the square, which makes the Flamingo seem even more interesting.

A small-scale replica (one-tenth the original size) was installed in 1975 in the Loop post office right on the plaza. Calder created it specifically for the visually-impaired, as it is meant to be touched, and it is the same bright color.

Alexander Calder (1898-1976) has created many sculptures for open spaces throughout the world. He is probably most famous as the originator of mobile sculptures or kinetic art, a type of moving sculpture made with delicately balanced or suspended shapes that move in response to touch or air currents. In contrast, Calder’s monumental stationary sculptures are called stabiles. He also produced wire figures, which are like drawings made in space. He was a prolific artist who worked with many art forms, large and small.

 

 

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JR Tower and complex. Note the huge clock

JR Tower Art Project

We have just spent a week in Hokkaido, Japan’s northern island. Why were we so lucky as to be there? Friends and colleagues from the University of Hokkaido in Sapporo, the capital city of the island, invited us and we were delighted to accept, as that was where we lived for a couple of months a few years ago. It was wonderful to return and to get re-acquainted with some of the people, places, and things we remembered.

The university is not far from the JR Tower and mall, an enormous complex that’s spread out around, above and below the JR (Japan Railways) train station. This is a magnet for anyone in the city—for transportation, for shopping, eating, and just generally hanging out—all year but especially in the winter when people can get around in all the underground tunnels without having to brave the snow. An interesting factoid: Sapporo is the city with the highest snowfall in the world (almost 600 cm/236 inches per annum).

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Snowfall facts at the Hokkaido Museum, Sapporo

The JR Tower sponsored an art project, called “Northern Window Open to the World”. There was an open competition of works of art by young Hokkaido-connected artists who are globally active. The aim is to explore new possibilities of art using many different types of art forms for an urban public environment adjacent to a station.

The works that were chosen are dotted around the complex on different levels, and I had fun one rainy afternoon tracking down as many as I could. I managed to find 7 in the time I had. It seems that many local people have became very familiar with some of the pieces and just stand around them, but I also saw lots of people stopping, admiring and taking pictures, as I was.

Kan Yasuda has Key of Dream, Italian white marble of Carrara, in the atrium of one of the main entrances. (see below)

 

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Yasuda’s “Key of Dream” in the atrium

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Noriko Tamura has The White Wind Sonata, acrylic paint on canvas, a huge canvas on a wall by an escalator going down to the lower levels (see below). It’s a stunning piece.

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Takenobu Igarashi has Forest of “Terminus”, Terracotta, a textured wall in an open space by a coffee shop in a lower level. Fascinating to see all the different textures and patterns. (see below)

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Masayuki Nagare has Terminus, granite, just outside an entrance (see below)

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Takenobu Igarashi has Big Clock of Stars, aluminum panel, a working clock on the outside of the JR Tower.

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Kazushi Asami has Legs—After Image of a Traveler, stainless steel and paint, on the lower east concourse.

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Toshikazu Kanai has Stones with Falling Flowers, granite inlaid with stainless steel, brass and ceramic pieces, just outside one of the entrances. There are three large stones, but one cannot get them all into one photo.

stones

 

 

 

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July 2016: MEADOWBROOK PARK in Urbana

The Landscape as it used to be in Illinois. Remember, Illinois’ nick-name (one of them) is the Prairie State, as hundreds of years ago much of the state was covered in tall-grass prairie.

We are lucky, as in Champaign-Urbana, Illinois, there are many wonderful parks, but in our opinion this is Number #1.

Meadowbrook Park is a 130-acre park with a difference, beloved by the locals, including us! It has the usual facilities, like picnic areas and a large field for ball play. But, the kids’ play structures are different to usual playgrounds—super-sized, and made of wood.

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PA291402.JPGMore unusual are the large area of Restored Prairie, and the Wandell Sculpture Garden, a series of large-scale outdoor sculptures that line the three miles of walking trails and fit beautifully into their outdoor setting. The trails wander through and around a broad swathe of re-created tallgrass prairie, and organic and wildflower gardens, plus a large herb garden, and community garden plots. Each sculpture has a plaque with its name and the name of the sculptor, and it’s a lot of fun to wander along the paths and stop to admire the sculptures—some colorful, some whimsical, all interesting. The Celia and Willet Wandell Sculpture Garden opened in 1998, made possible by the Wandell family and donations from area businesses and local supporters. Some of the sculptures are owned by Urbana Park District as part of the permanent collection, and some are on a two-year loan from the artists.

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See the butterfly on the coneflower

Meadowbrook Park is lovely at any time of the year, but is really gorgeous now, at the height of summer. Tall, bright green grasses cover the fields across to the trees ringing the area. But the dominant color is not just green. Colorful wild flowers, massed, swaying slightly in the breeze, attract bees and birds. We watched a redwing blackbird perch atop a tall stalk with huge yellow flowers, nearby a small sparrow chirped on a bush with some other yellow flowers, a hummingbird hovered, and butterflies fluttered. White Queen Anne’s Lace, aptly named, polka-dots the green, along with pinkish Echinacea, bright blue cornflowers, and masses of purple and yellow, daisy-like wild flowers.

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Queen Anne’s Lace

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See the tiny hummingbird 

Sometimes you can hear a Chinese pheasant calling and watch for the deer, which are usually here, munching calmly, unworried by humans. A small brook runs through parts of the park and at times there have been beavers who’ve made a dam there.

If this kind of vegetation covered these prairies in days gone by, before the settlers came in and cleared it for farmland, the sight must have been truly awesome.

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P7210043.JPGPeople come to walk, to run, to roller-blade or ride bicylces. They walk dogs and push strollers and near the pavilions people can picnic.

Whenever we walk, other runners, walkers, cyclists and dog-walkers pass us. Everyone smiles and greets us, the spirit seems relaxed and friendly. We are soothed by the beauty and perfection of this piece of Nature we are privileged to share.

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Lourensford Wine Estate, nicknamed “Jewel of the Cape Winelands

One of our favorite Wine Estates, and very accessible

Founded in 1700, this lovely estate lies just below the Helderberg Mountains on the

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Slave bell

outskirts of the town of Somerset West (but is listed under the Stellenbosch wine route). It was once part of Adriaan van der Stel’s Vergelegen Estate nearby, so it’s steeped in history and heritage but nowadays it also uses ultra-modern wine technology. One of the historical pieces is the old Slave Bell, used in the past to summon the slaves when needed.

 

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Saying hallo to a Cape buffalo

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A metal horse

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Vine art

Lourensford has extensive, beautifully-tended gardens and a number of whimsical outdoor sculptures (some made of metal, some of huge old vines), all with the backdrop of mountains. It’s gorgeously “Cape”—in fact, I’ve almost never seen other wine areas anywhere else in the world that look quite as lovely as this. Some are more dramatic (Switzerland), others vaster (France), others on rivers (France, Germany). Maybe it’s the combination of setting and the Cape-Dutch architecture—green nature and white buildings. Whatever it is, it’s beautiful and a great place to relax, soak in the outdoors, enjoy a tasty meal and taste world-class wines.

Lourensford is a very large estate that offers a lot for the visitor. There’s the Tasting Room with a mini cellar tour; the Millhouse Restaurant with indoor and outdoor seating and a kids’ playground; a shop, a pottery shop, an art gallery and a coffee roasting company, which is a whole other tasting experience. Plus, there are trails and walks through the vines and up into the foothills (there are a couple of known leopards there)—in addition to rambling the Estate’s own gardens and emerald green lawns. They also cater for events—our nephew got married here and said the Estate people were pleasant to deal with.

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Coffee Roasting Company

coffeesignIt’s well worth a visit and we suggest you allocate many hours, as each part of the visit is very leisurely—don’t try to be in a rush.

Besides wine tasting, and eating in the restaurant (see next post), you should definitely visit the Coffee Roasting Company (open daily 9-5). They roast on site, giving the room that warm, smokey aroma of ground coffee. It sells coffee beans to go, as well as being a small café, with some pastries, and a few gift items, like teas, coffees, chocolates, preserves, a few souvenirs, and sometimes a lovely series of kids’ books called “In the Land of Kachoo”, about African animals.

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One family group

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Another family group

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Inside the Coffee Roasting Company

Many local people come to the Coffee Roasting Company just for the coffee, to buy bags of coffee specially roasted to go, or to sip and savor coffee in the sun under a vine trellis or other fruit trees. That’s what we did late one March, and it was a lovely outing for our multi-generational group. We did the same again this June.

There’s the Harvest Market on Sundays too.

The winelands have many markets and

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Lourensford hosts theirs on a Sunday from 9am to 3pm. It has a rustic setting at the edge of the lawns, where they’ve set up a set of wooden stands with a permanent roof structure, making it an all-weather market. You can find many different items—-from delicious foods like Lebanese hummus, to real Ginger Beer and fresh eggs, to colored glassware and aromatic coffees. Of course you can enjoy the Lourensford Wine, as well as the new Beer—ABRU—made on the premises by the Aleit Hospitality group. Come and relax and enjoy the live music and while away a Sunday in Somerset West.

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Coffee etc for sale

The estate is open daily and entrance into the grounds is free.

http://www.lourensford.co.za

 

 

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